Bandhani Saree

Bandhani is a type of tie-dye textile decorated primarily by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. The term bandhani is derived from the Sanskrit word banda ("to tie"). Today most Bandhini making centers are situatied in Gujarat, Rajasthan, Sindh, Punjab region and in Tamil Nadu where it's known as Sungudi.  Earliest evidence of Bandhani dates back to Indus Valley Civilization where dyeing was done as early as 4000 B.C. The earliest example of the most pervasive type of Bandhani dots can be seen in the 6th century paintings depicting the life of Buddha found on the wall of Cave 1 at Ajanta.  Bandhani is also known as Bandhej, Bandhni, Piliya, and Chungidi in Tamil as per the regional delicate. Leheria or leheriya derives from the word lahar, meaning wave is also another unique form of tie dye technique used in Rajasthan. Other tying techniques include Mothra, Ekdali and Shikari depending on the manner in which the cloth is tied. The final products are known with various names like Khombi, Ghar Chola, Patori and also Chandrokhani etc.

The art of Bandhani is a highly skilled process. The technique involves dyeing a fabric which is tied tightly with a thread at several points, thus producing a variety of patterns like Chandrakala, Bavan Baug, Shikari etcetera; depending on the manner in which the cloth is tied. The main colours used in Bandhani are yellow, red, blue, green and black.

The main colours used in Bandhani are natural. As Bandhani is a tie and dye process, dying is done by hand and hence best colours and combinations are possible in Bandhanis.

The Bandhani work has been exclusively carried out by the Khatri community of Kutchh and Saurashtra. A meter length of cloth can have thousands of tiny knots known as 'Bheendi' in the local language ('Gujarati'). These knots form a design once opened after dyeing in bright colours. Traditionally, the final products can be classified into 'khombhi', 'Ghar Chola', 'Chandrakhani', 'Shikari', 'Chowkidaar', 'Ambadaal' etc.

Ahmedabad in India is known for Bandhanis. Bandhani work is also done in Rajasthan state but having different types of colours and designs than the Kutch and Saurashtra of Gujarat. In Bandhani, different colours convey different meanings. People believe that wearing Red brings good luck to a newly wed's life.

 sources by: wikipedia

Sambalpuri Saree .

Sambalpuri Saree (Odia: ସମ୍ବଲପୁରୀ ଶାଢ଼ି) is a traditional handwoven ikat or sari or saree (locally called sadhi) wherein the warp and the weft are tie-dyed before weaving. It is produced in the Bargarh, Sonepur, Sambalpur, Balangir district, Boudh District of Odisha. The saree is a traditional female garment in the Indian Subcontinent consisting of a strip of unstitched cloth ranging from four to nine metres in length that is draped over the body in various styles.

Sambalpuri sarees are known for their incorporation of traditional motifs like shankha (shell), chakra (wheel), phula (flower), all of which have deep symbolism, but the highpoint of these sarees is the traditional craftsmanship of the 'Bandhakala', the Tie-dye art reflected in their intricate weaves, also known as Sambalpuri "Ikkat". In this technique, the threads are first tie-dyed and later woven into a fabric, with the entire process taking many weeks. These sarees first became popular outside the state when the late Prime Minister Indira Gandhistarted wearing them. In the 1980s and 1990s they became popular across India. To provide protection to the weavers practicing this art, the handloom silk sarees manufactured in Sambalpur and Berhampur (Berhampur Pattu) in Odisha were included in the Government of India’s Geographical Indications (GI) registry.

The Sambalpuri sari is made from fabric woven on a hand-loom and is popular throughout India. Varieties of the Sambalpuri sari include Sonepuri, Pasapali, Bomkai, Barpali, and Bapta saris, which are in high demand. Most of them have been named after their places of origin and are popularly known as Pata. Paintings on Tussar saris depicting Mathura Vijay, Raslila and Ayodhya Vijay owe their origin to ‘Raghurajpur patta paintings’.

sources by: Wikipedia